Straight from Da Pen:  Nikki Persley

 

 

 

 

 

A native New Yorker, Nikki Persley grew up in Harlem and now resides in Brooklyn. She is the mother of one son, Christopher, and two cats, Shadow and Otis. Nikki studied creative writing and literature at City College of NY, and her diverse work background includes freelance writing for clients in both the corporate and nonprofit sector. Serpent of Eternity is her first novel and it's not surprising that it's a myth-based fantasy. She is a longtime fantastical literature and mythology enthusiast. Nikki enjoys traveling, reading, music, movies and entertaining, but most of all, she loves to write.  Learn more about Nikki at her website!

 

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The Interview

Debut book title: Serpent of Eternity


Pitch your book in 50 words or less (I'll be counting!).
For beautiful, successful Anya Alan, dreams really do come true, but when those dreams turn into nightmares, she must abandon her comfortable world and embark on a journey of self-discovery. To survive, Anya must believe that she alone possesses the power to defeat an ancient enemy and save humanity.

 

 

What are three words you would use to describe your novel, Serpent of Eternity?
Mature, multi-layered, and allegorical.

 

 

Why speculative fiction?
I have loved fantastical literature since childhood. Especially fantasy, with its roots burrowed in myth and legend, I think it's the most elemental of all the genres. As an only child, I spent a lot of time nurturing my imagination. I'm also very interested in exploring aspects of human nature - like the different masks we wear and the fears that drive us to hide behind them. On top of that, I have a keen fascination for employing mythological archetypes in a contemporary context, and I feel compelled to write stories that deal with plausible impossibilities. Writing speculative fiction allows me to do those things.

 

 

With this market almost completely devoid of African American writers, how do you plan to make your mark in the genre?
That's a good question. I keep asking myself the same one. So far, the interest in Serpent of Eternity seems to cross color lines, and I think I can reach at least three audiences. The novel appeals to fantasy enthusiasts who want an out of the ordinary dark fantasy or a storyline that doesn't include dragons.

 

People of color who might not otherwise read this kind of book are relating to the characters and cultural elements. It's not chick lit, but the protagonist is a woman whose only hope of survival rests on her ability to believe in herself and I'm receiving very positive feedback from female readers. I think I have an innovative marketing plan, and I began implementation before the book went into production. Since savvy readers often judge a book by its cover, I ran a cover art competition that not only helped me find the perfect artwork for the cover and showcase an emerging artist but also served as an excellent opportunity to create buzz for the book, and drive traffic to my website. To promote the book's release, I declared May 22 National Earthbound Goddess Day in celebration of female empowerment and to honor the goddess in every woman. There are other special promotional activities on the horizon.

 

 

How long did it take you to write Serpent of Eternity?
Six years from concept to completion. Mostly because it was my first novel, and the whole thing was a learning experience for me, but also because it was volume one of a trilogy, and I needed an overall grasp of the entire series before starting. I knew I wanted to tell a haunting, provocative story that was characterized by the struggle between good and evil, one that paralleled mythology and religion, and highlighted the many facets of ancient beliefs that still exist in the modern world. My goal was to present an ordinary slice of life and experience that was steeped in secrets, and unfolded in a world that was a fusion of classic and contemporary - a world where fantasy and reality merged, and make it all seem real. Before sitting down to write, I spent a year just thinking about the story I wanted to tell and how to make it entertaining for readers and myself. During that time, I did a lot of researching and character development, and I did a lot of reading about the writing process to hone my craft. I wrote the first draft in about three months. The second draft took a lot longer. I worked on the pacing, enhanced the mythological motifs, tweaked background and settings. By the third draft, I felt I had succeeded at breathing life into a headstrong (and very reluctant) hero, a misanthropic demon, and a pantheon of feuding gods.  After a little tough editing, I sent it to an editor for critique. I used her comments as guidelines for the final revisions. I don't think it will take me as long to write the next books, but I will continue to use the 6-step process of preliminary planning, plotting and writing four drafts.

 

 

Did you outline the novel, or did you sit at the computer and let the words pump out of your mind?
I have great respect for writers who can just sit down and write, but I am an organized planner type and would be lost without an outline. It's step 2 of the 6-step process!

 

 

How much research went into the novel?
A lot. Serpent of Eternity is loosely based on African mythology, suggests the existence of an ancient secret religious society, and the story spans centuries. I spent a little over a year researching the novel. I did a lot of library and internet research, talked to historians, and visited a few locations. But for me, one of the most fascinating parts of writing a novel is the research, especially when it lends some reality to the story and brings the characters to life.

 

 

Did you try to go the traditional publishing route with Serpent of Eternity? If so, what was that journey like?
When the idea of self-publishing first dawned on me, I refused to give it weight. I wanted to do it the traditional way, but the more I researched agents and publishers, the more I really began to consider self-publishing. As a first-time author, I knew I faced an almost Sisyphean task since many publishing houses and agents have grown reluctant to gamble with a book that does not come with an automatic "blockbuster" guarantee. Would a book written in a genre that isn't generally known for African American writers meet that criteria? Then I discovered that most publishing houses put very little to no effort whatsoever into promoting debut books- tantamount to the kiss of death. The idea that my book could be released and then abandoned unless I promoted it at my own expense, made me wonder why I should give up creative control or risk being pigeonholed.

 

 

What is your writing inspiration?
I love writing. There's nothing else I'd rather do. I enjoy it even when it's not going well. The fact that I have an opportunity to write is all the inspiration I need.

 

 

What are you currently reading?
I generally don't read any fiction while I'm writing, but right now I'm in the outlining stage, so I'm reading Seduction of the Minotaur by Anais Nin, Apex Hides the Hurt by Colson Whitehead, and The Cat Who Walks Through Walls by Robert A. Heinlein.

 

 

What are you currently writing?
I've started a short story based on the Medusa myth entitled "Memoirs of a Monster," and I'm close to finishing the outlining stage for The Serpent's Gift, volume two of the Serpent Trilogy. It begins where Serpent of Eternity leaves off, and is a fantasy, sci-fi hybrid that portrays a possible future for humanity. I'm thinking about writing the first draft in November as a NaNoWriMo participant.

 

 

 

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