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Beyond
My Culture: An Interview with Author Michelle Monkou by Nicole
M. Stevenson
Michelle
Monkou became a world traveler at three years old when she left
her birthplace of London, England, and moved to Guyana, South
America. She then moved to the United States as a young teen. An
avid reader, mixed with her cultural experiences, set the tone for
a vivid imagination. It wasn't long before the stories in her head
became stories on paper. Michelle has five titles of
romantic fiction with her latest release -- ISLAND RENDEZVOUS –
under Harlequin's new Kimani Press. She will also have a
September release -- SWEET SURRENDER and a January 2007 release,
tentatively titled HERE AND NOW.
When
did you first know that you wanted to write?
MM:
There wasn't a specific year that I thought about being a
writer. The talent came naturally to me because of my
voracious appetite as a reader.
Writing stories, essays, school papers, and poetry didn't
scare me. I crafted stories for fun. In high school,
my friends, who also wrote, exchanged stories and books.
Now
fast forward through attaining my Bachelors in English, my Masters
in International Business, marriage and two children later, I
joined a writing organization that provided me with information
about the craft and romance writing, specifically. In 2000,
this marked the official year that I completed an actual book
(300-400 double spaced pages).
How
did you manage to get a two-book contract from BET Books?
MM:
Most publishers offer a two-book deal once they have received and
contracted one full manuscript. I sent my first completed
contemporary romance to BET and received a call stating that they
wanted to purchase it, along with another book. My first release came out in November 2002.
OPEN
YOUR HEART was your first book; how long did it take to complete?
MM:
This book took six months to complete. Since it was my first
book, I had to struggle with all the mistakes a young writer will
make on plotting, pacing, characterization, satisfying ending.
I had to dig deep to be self-disciplined and finish the book, then
use my knowledge to edit before sending it to the publisher.
What
was your first award you ever received for your literary works and
what did it mean to you?
MM:
Open Your Heart received a nomination for Favorite New Author.
I was shocked and pleased because there were lots of very good
authors who also started their careers that year. The
recognition gave me the confidence to continue and strive to make
an impact in romantic fiction.
In
October 2005, my Kwanzaa-themed romantic fiction -- MAKING
PROMISES -- earned 3rd place in the Mainstream/Single Title of the
East Texas Chapter of the Romance Writers of America organization.
Again this recognition with other books that were not grouped
under African American fiction was a nice surprise.
Can
you share some detail about Island Rendezvous?
MM:
This spicy, romantic tale continues the stories of four
friends introduced in my Romantic Times Top Pick, Finders Keepers.
An emotionally bruised Toni Kimball accepts her friend's - Nicole,
offer for a much-needed vacation in Nassau, Bahamas under one
condition. Toni must find Derek Calverton and help Nicole with her
plan to get her husband and his newly discovered brother, Derek,
reunited. During one
of their girlfriend bonding moments, this plan seemed airtight.
However, in the tropical heat, Toni doesn't count on
falling for the romantic and sensual headiness that Derek delivers
to her mind, body and heart. Past relationships, family history,
and separate countries conspire to pull apart and destroy their
love. Derek has to pull out all the stops to complete his circle
of love with Toni at his side.
What
advice would you give to the author that has gotten several
rejection letters and feels like given up?
MM:
The worst thing that a writer can do is measure herself against
another writer. Just like they advise not to compare your
children and their periods of development and accomplishments, you
should not do this. Writing is highly subjective. For
example: The editor has 2,000 manuscripts on a yearly basis and
she only needs 48 titles in the year - 4 titles a month. Out
of the 48 titles, 30-40 may be her authors already in the program.
So she's got 8 – 18 spots to fill with new authors. Faced
with those numbers, the editors can choose to be highly selective.
As
the writer looking for placement, you have to come with a
professional, error-free query and proposal. Your query
should be concise and intriguing.
Your first three chapters and synopsis should follow
standard formatting requirements. It should be error free.
This is your introduction to the editor.
Having
said all of this, you should know what that editor or publishing
imprint is looking for. Go to conferences, read the books in
that imprint, network with authors in that imprint. You have
to show that you know why you belong in that line up of authors.
Then
surround yourself with positive people. They don't
necessarily have to be other authors, but it helps to have friends
who know exactly how and why you may be feeling the way that you
do. From the time that you are published, your work is open
to public criticism. So why surround yourself with people
who may doubt you before you embarked on that journey. Life
is too short and no one said that there is a finite amount of
friends out there.
What
do you do in your free time?
MM:
Lately my free time has been a precious commodity. I am
presently serving a two-year term as regional director for Romance
Writers of America, a 9,000-member organization. I am also
the PTA president for my children's school. I do have a day
job with a life insurance trade association in Washington, D.C.
One hour a week, I manage to get to a belly dancing class for the
"ME" time.
For
further information on Michelle, visit her
web site at http://www.michellemonkou.com
and sign up for her newsletter.
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